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April 23, 2025

4/23/2025

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The Devil I Know
by Allister Nelson
Click here to listen to this story on the Kaidankai podcast.


Old wives' tales go thus: Behind every man, a monster. Behind every husband, beast. And roses become thorns in time.
But the curse of my egregious veins only ever comes at midnight: turning me to a monster.
Assuredly, Nurse fixes me potions and poultices to mask the stench of my devilish, rotting flesh come supper. The court whispers that the Crown Prince wears a mask after I was scarred in war, and completely covers my limbs in the finest of Parisian fabrics out of a sense of Apollonian vanity, so as not to let the inelegant sun spoil my lily-white flesh.
Nurse was the only one who knew - who had been there when mother bargained with the Devil to give her stillborn son life: a drop of Satan's blood flowed through me, and I had the Devil's gold hair to prove it.
I had been raised by the Council of Lords and was now the de facto ruler after my coming of age, with Marchioness Peters the head of state before I reached eighteen. Marchioness Peters had been my father the King's right-hand man before the King and Queen had been killed on a hunting trip - only five red claws left on each of their bare breasts, with their torn shrouds like a bier mound around my fainted form.
I was twelve the eve of the hunting accident, the only survivor, and the maids always whispered that my teeth grew sharper by the day after my parents perished.
Tonight - tonight, I would choose a Queen. Nurse said it was the way of Kings to take a bride before assuming the throne, and Marchioness Peters agreed. Prince Charming, who had won the Crusades and battle against the Dragon of Claremont, who never revealed his face beyond merry, bright blue eyes peeping through my Harlequin mask, would choose a noblewoman to wed by the stroke of midnight. Then, a King. My father's birthright.
Pulchritude, I thought. When my flesh turns to maggots and mold each night, and I grow horns, claws, venom, and wings - aren't I worth only dog meat?
And so a bride. Every man's dream. But for a monster that hungered for flesh, I was wary of women. Their elegant throats, their breasts that could cut - the Beast in me unleashed each midnight would have even had his way with old Nurse if I - the aberrant Prince - was not restrained and enchained with seven lashings and bindings to my quarters each strike of the twelfth hour.
But this bride of mine would have to know my secret... to share my bed, the bed of a monster. And to bear us little beastlings. It would be a treacherous arrangement, and I was half-given to a life of virginity and tax ledgers.
"Char, it's time, the ball," Nurse said, grinning widely. She was the only attendant I let serve me, the handmaiden of my mother and my wet nurse, who had taken the King and Queen's deathbed secrets close to her breast.
I buttoned my blue suit and fanned out the starched coattails. Hunger rose in me - and not the dynastic kind - as I thought of the feast of ladies' white necks that would be available to partake of in eye alone tonight. Gleaming, ivory throats - cheeks ablush. Women always scared me. But now, I had to find a wife.
"I think I'm ready," I said, my voice clear as a burbling brook. I stood 6'5, towering like my blood father - Lucifer. I arranged my mask so it obscured all but my hair and eyes. It was part of my facade by now, a way to distance myself from commoners and noblefolk alike. Only Nan ever saw my handsome, angular face, with lips like cherries, when it was off. "Let's get this over with."
Nan wished me luck, and I made my way to the ball.
Marchioness Peters was dressed in a Tyrian purple suit and waistcoat. He avidly introduced me to the up-and-coming maidenfolk of the provinces and London alike. But Buckingham was dull for a beast like me - I craved Herne's woods.
The women - their scents, the flush of their cheeks. It was too much. I last two hours without wanting to devour one blood and bone. I excused myself, then hastened to the King's Wood, where only I was allowed to roam, much less hunt.
"Damn it, Peter, you couldn't even last until midnight," I wept, the Change overtaking me. I, this hideous, rotting demon, came out. I prowled the riverbank, half-expecting Nimue to drag me to the watery depths out of shame for Uther Pendragon's line. I was much more Merlin, a cambion, than any Prince Charming the English made me out to be.
I fell asleep in a saint grotto to Mary. It was my refuge - I could always feel the Madonna praying for me fervently in the cool, cavernous spring - it had been a refuge of old doddering mother, once she had birthed a dead babe, and given me life through a pact with Satan. She was of the blood of Melusine, and those women knew how to summon the Devil in a pinch - our line of webbed toes proved it.
I awoke to someone petting my rotten hind legs, the fur matted, then arranging the bloody mess of razor-thin meat slabs and black hair around my head.
I growled, awakening, thinking it a fey. But it was just a girl - a girl in a blue dress that was tattered and old, and glass slippers.
"Are you cursed too, dear Beast?" the strange girl asked. She was hair of gold - as lost as I. Beautiful, with violet eyes and scars all over her body. "Do you know how torn my flesh gets, to be cursed to walk the world in glass heels? How it digs into my bone, just like your pennants of rot? My father, Marchioness Peters, has hidden me away in an attic all my life, replaced me with stepmother and my stepsisters. I escaped. My fairy godmother said I would find answers at this ball, but the guards saw the tatters on me, and would not let me in."
"Are you not scared of me, girl of glass?" I growled, her touch soothing. I had never been touched by a woman like this before - much less in my form of the damned. A hellhound of rotting flesh and black ragged wings.
"Hell goes with me, don't you know that, fair beast? Glass has no worth. At night, I dream of Hell. Of my bones turning to glass, my flesh to ice. I freeze, these damn things on my feet. They are shut in."
"What is your name, glass girl?"
"Cinderella. Yours?"
"Charm- I mean, uh, Peter."
"That is an odd name for a hell beast. Peter. I like it! Say, Peter, would you like to leave this grotto with me? I have had it with all of London, telling my secret dreams to mice and cheese. I am a seamstress of some talent, and you could be my guard dog."
"I am afraid this form will not last the night. At night, I will no longer be beast. I am supposed - supposed to find a wife. I hunt when I must eat flesh. Are you not scared I will eat you? Every thief and thief's wife I have eaten have called me cursed cur, foul mongrel, dog beast of Hell. I devour them anyways."
"I have splinters of glass for skin - they will sprout to pierce your snout. My mother saw her reflection one day in glass and boasted she was more beautiful than Lilith, the ever-pregnant demoness. So Lilith made me a child of glass, born and sawing open mother's womb like a broken windowpane. She died of the blood loss. No one will touch me, they use cloth and gloves. But you, beast..." Cinderella ran her glassy, sharp nails down my ridges. "You can withstand me."
We talked all night, into the morning. Of our dreams. Our family. Our despair. I finally admitted, over a bottle of stolen scotch this vagabond Cinderella had in her skirts pocket, that I was the Prince now missing from the ball, and Lucifer's curse on me.
Cinderella was kind, gentle, she combed my bloody hair with her glass comb. And by morning, we kissed. And then, we knew each other as beast and woman. A carnal delight, her glass spinnerets piercing my bloody, knotted breast.
We fell asleep under Mary's gaze, in the King's Grotto, by the spring, then bid Nurse adieu in the quiet hours as we stole into the palace.
"Give the throne to Marchioness Peters. I am off to travel the world with my wife, dear Nurse," I said. Cinderella had broken my curse.
I was still beast. I would never
be disgusting man
again.
"Oh dear Charming Peter, I wish you well. You broke the curse chaining you to frail humanity. You have found a girl of the stained glass of Notre Dame," Nurse cried, hugging me and my bride one last time.
Cinderella smiled, a glass spear in her hand made of adamant. She mounted my back, and off into the autumnal morning we speared, on thief roads and hanging grounds, to haunt Herne's wood, all of Europe, Africa, and Asia, taking in sewing when we needed to, killing when we were hungry -
and we had five glass wolf babes
a wild
rambling
brood.

                                                            💀💀💀

Allister Nelson is a poet and author whose work has appeared in Apex Magazine, The Showbear Family Circus, Eternal Haunted Summer, SENTIDOS: Revistas Amazonicas, Black Sheep: Unique Tales of Terror and Wonder, The Greyhound Journal, FunDead Publications' Gothic Anthology, POWER Magazine, Renewable Energy World, and many other venues. allisternelson.com
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April 16, 2025

4/16/2025

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Ravenous
by Jennifer Weigel

Click here to listen to this story on the Kaidankai podcast.



Silence.  I shift my weight.  A scant twig trapped between my foot and the earth snaps, alerting the deer to my presence.  The silence is broken.  The lone doe’s huge bowl-like ears prick forward, honing in on the transgression.  Her deep black eyes stare into the underbrush, pleading as they meet my own.  Nostrils flare, body quivers, and she bounds away reluctantly.  Her footfalls grow further from this place and, as they disappear to distance, the silence returns in their stead.  I sigh.

Hazy sunlight shimmers through snowcapped trees, their woody surfaces stripped of bark.  I am again alone in these scant woods.  The first and last deer I have seen in well over a month, both one and the same, has escaped.  For now.  But she is thin, scarcely able to hold herself up – not much meat left upon those bones.  I have to admit, I’m not faring so well myself these days.  At this point any meal would be a welcome change, and long overdue.  Won’t be long now, before I catch up with my quarry.  But which of us will succumb to starvation first?  Now there’s the ultimate question.

The warm glow glistens off of the deer’s tracks, receding down the path towards the valley.  She knows as well as I do that there’s nothing left to eat down below.  The creek bed is frozen solid.  But then again, there’s nothing left to eat up here either.  Not really.  I pry a bit of bark from a nearby pine tree and pursue my prey.  I strip the inner lining of the gnarled husk with my front teeth as I walk along the path, following in her footsteps.  The dry snack is both woody and bitter but it gives me something to gnaw upon other than the gaunt interior of my own scabbed-over cheek, unwilling to be further bloodied by my chipped, razor-sharp teeth scraping at its meager surface from within.  The trees in the valley have long since been stripped bare, best to take advantage of what little nourishment I can get before I leave this place to trail along after my prey.

Despite the frigid cold, the sun burns hot on the nape of my neck.  My thinning hair leaves much of my head and scalp exposed to the elements.  The torn leather of my coat lays across my shoulders, tattered and worn thin at the edges from whence I had stolen my last repast, chewing what scraps I could afford to lose to make a meager meal.  I had previously used the fur trim from my hood to patch my boots, but that was a while ago now and the holes are wearing through once more, the icy dampness encroaching on my nearly forgotten toes.  There is hardly enough left of my garments to call these remains clothing, let alone coat or boots or whatnot – anymore the whole of me is but a hodgepodge of fragmented cloth and cloak, fur and hair, skin and bone.  And I am chilled to the core, my heart as black as my frostbitten fingers.

My mind reels.  I can still see my husband’s face, clear as day.  His amber eyes offering some solace from the raging storm until they grow too distant.  Eventually their light dims completely, lost forever within the sunken recesses of his skull.  Our old farmstead is another world away, somewhere where hope once resided.  It is not of this life.  Its warmth is no longer familiar or welcoming, it is just another hollow void like my heart.  Lost and unfulfilled.

My husband and I made an unspoken agreement before his passing, that whichever of us survived these lean times would find sustenance in the other.  We felt no need to speak of the inevitable, and I simply did what needed to be done.  I outlived him, and I thusly upheld my end of the bargain.  I wasn’t proud of this at the time, but I have come to see things differently the longer the wind roars at my back and the thinner and wearier I become.  By consuming what I could of his flesh, I am still here.  He gave me the strength to face another day… another couple of weeks honestly.  I would have wanted, rather demanded, that the opposite hold true had we traded places.  It would have been the least I could do, and the most that I could offer.

So I acknowledge that I should actually find some refuge there, from drawing him into my body to nourish and sustain me.  This was the last connection that we had, my way of keeping him with me even after his slow death.  I know that I should treasure this gift and that I should miss him, but yet I feel nothing.  Except for the awareness that I am him and he is me in some meaningful way.  For his body dwells within me, and we are interwoven into one entity now, surviving these desperate times together in one form.  But although I sense that I should find some solace in that, feel some connection in spirit, my hunger only worsens and my heart grows more and more hollow.  He is gone.  I am here.  That is all.  There is nothing more.

The afternoon drags on, the sun still passing its judgment from its perch high above this wasteland.  This weather should have broken by now, but it remains unseasonably cold.  And bitter.  Like the cambium of the inner bark mixed with spit and acid reflux that I swirl around in my mouth to maintain my awareness of the here and now.  The silence is my song, stoic and mournful.  It is my ever-present shadow, trailing as I follow in the doe’s weary footsteps.

The deer stays her course, too weak to run.  Her body rigid, waiting.  Her eyes darkening, receding even deeper into her skull like those of my husband in another lifetime, far from here.  Whatever respite or forgiveness his soul had offered was left forsaken in the windows of the farmhouse I abandoned when the hunger overtook me.  The doe leans against a small tree, her dark, brooding gaze stripped as bare as the trees that surround us are bereft of bark, no longer able to provide nourishment to those outside of their own form.  She stares at me in disdain.  Neither of us relishes the inevitable movement, this journey which we embark on together.  Now and again.  Predator and prey.

I half hope she will stay still and wait to die, that she will collapse where she stands welcoming the inevitable so that I may feed unhindered, conserving my energy so that I can carry on a bit longer.  And yet I half hope she will not – neither of us ready or willing to give up, not yet.  Both of us hungry.  A part of me wants for her to put up a fight and wishes that I will be the one to fall, succumbing to my weakness and letting go of my own will to triumph.  Life.  Death.  Becoming.  Unbecoming.  There is a beautiful and harmonious inevitability in both.  They are intertwined, two sides of the same.

Our eyes meet, the voids within forming an unspoken understanding between the doe and myself.  We are one, connected in spirit and sacrifice.  We eat or we are eaten.  It is this that consumes us.  As our bodies lurch towards one another, we dwell wholly within this knowledge.  It speaks through the silence, within the biting cold, gnawing its way both in and out of our respective being.  I already exist within her, and she within myself – here and now and furthermore.  Even before anything else happens; even before the inevitable fight for life or death.

Her hoof, pointed like a hatchet, strikes me in my left shin as I close.  I feel the warmth of my blood pooling as it rises to the surface.  This sensation, slight though it is, enlivens me.  I lunge and grab her thin velvet ear within my teeth, gnawing upon its soft recesses.  We fall to the barren earth, inextricably tangled.  I claw at her face and at her flared nostril, my raw and jagged fingernails securing their hold on the fragile folds of flesh where her lip meets her nose.  Her teeth grind into the bones of the back of my hand, working their way upwards towards my wrist.  I feel each painful crack as the brittle bones give way to a snapping of twigs, one by one each breaking the silence.  The search for quietude is no longer necessary as the scream for survival wells up from within this moment, hunger itself made manifest.  There is no escaping it now.
​
Both the deer and I lock together in this eternal struggle.  We succumb to the winter, to its wrath, to our anger and resentment at this dire situation.  We are both stripped bare of bark, but we are not barren.  All of my numbness - my blackened heart and frostbitten extremities – unite in pain and fire.  I am engulfed by their all-consuming rage, my sensations rediscovered.  Eat or be eaten.  This unspoken agreement transcends both predator and prey, past and present.  The deer and I arise, reformed and reawakened.  We are one.  We are here.  We are the wendigo.  And we will be, now and forevermore... hungry.

                                                              💀💀💀

Jennifer Weigel is a multi-disciplinary mixed media conceptual artist.  Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing.  Much of her work touches on themes of beauty, identity (especially gender identity), memory & forgetting, and institutional critique.  She lives in Kansas, USA with her husband and is an avid art collector who enjoys playing board and role-playing games, junk store thrifting, and mail art. Her spirit animal is the deer. Her favorite foods are unagi don or broiled calamari steak and frosting with or without cake.You can read more of Weigel’s writing on her website here.  https://jenniferweigelwords.wordpress.com/
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April 9, 2025

4/9/2025

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The Storyteller: The Shannike
by Michael Barrington



​Click here to listen to this story on the Kaidankai podcast.


It all happened because of Dair Dockery. If he hadn’t been in Tulsk that day and if the skies hadn’t opened, forcing him to spend the night at his sister’s house, and if he hadn’t met the Shannike, then there would be no story to tell. 

The Shannike looked old. How old was difficult to say, but he had a gently creased and weather-beaten face. His bushy gray hair spilled out from under a red stocking cap. He wore a long black coat, which he never removed, over what looked like hand-woven dark wool pants. A sturdy pair of well-worn brown boots completed his outfit, save for the canvas bag he carried slung over his shoulder. The women, much more so than the men, remarked on his bright blue eyes that seemed at the same time to be warm and welcoming yet also piercing, as if they could see right through a person.

It was a very special occasion when a Shannike, a mysterious mendicant storyteller, came to town. Everybody in Roscommon, even if they had never actually heard one speak, knew of their ability and skills. Children from infancy learned the stories of Irish ancestors from their parents and grandparents, who in turn had heard them directly from a Shannike. 

And if Dair hadn’t been so bold as to ask if he would come to Four Mile House, this story would never have seen the light of day. Of course, Four Mile House was not a house as anyone in Roscommon would tell you, it was almost a village. The land was mainly peat bog and flinty soil. Life was harsh, the only comfort coming from being close-knit families. The people were so poor, so uneducated and the place so small, no Shannike had ever paid them a visit. Nobody would have dreamed that it could ever be possible.

The man only asked two questions. “How many families are ye?”

“Seven,” Dair answered.

“And what’s your name?”

“Dair Dockery, sir.” 

Then, with a faraway look, the Shannike said, “So, your name is the seventh letter of the alphabet (Gaelic), and it means oak. You are the seventh son of the seventh son.” And laying a hand on his shoulder continued, “The ladybug has seven spots, the number of planets with the sun and moon is seven and so too is the number of the colors of the rainbow. On the day of seven weathers there will be high wind, rain, frost and snow, thunder, lightning, and sunshine. Tomorrow will be that day. So, I will come. I will spend seven days with you.”

After rushing home to share the news, the excitement was palpable as the heads of each family squeezed into Oonagh Dockery’s kitchen and in almost disbelief discussed the Shannike’s coming. They were poor, but their welcoming would be rich. They were determined he would take away happy memories from Four Mile House. He would spend one night in each cottage, but the last night would be with Dair, Oonagh, his wife, and their seven children. 

Sensing their inquisitiveness, on the first night, the old man—no Shannike ever had a name—said, “I will allow one question or request from each family.” But nobody dared respond save one small child who innocently asked, “Why do you wear a red hat, sir?”

“Red is the color of magic,” he replied, “and it has been so since the beginning of time.”

As darkness came, his story telling began. Nobody wanted to sleep. People were overawed and enthralled as the man effortlessly shared one fantastic tale after another. It amazed everybody that in the morning, after only a little sleep, they felt fresh and energized.

Each night, after he had told his last story, the Shannike offered a piece of wisdom to that household. Nobody in Four Mile House could write, but the head of each family tried to preserve what he heard by sharing it with the neighbors. “There are two things not easily controlled and they are hunger and jealousy,” Fintan O’Flynn recalled. “Trees are silent guards, they are listeners, and they hold knowledge mankind has long forgotten,” repeated Cahir Mulloy. “Don’t sell your hen on a wet day,” Aidan O’Connor recalled with a frown of incomprehension. But everybody else just nodded in false profundity. 

When he walked around the village watching them at work, people smiled and waved. Since his arrival, everyone’s spirit had changed. Moira Cronin believed that her one cow gave more milk than ever before, and families were happier while children cried less. After that first day, the weather changed, turning to blue skies and sunshine. He noticed an old, dirty white cart horse, its bones sticking out and its coat coarse and patchy, pulling a plough. Then he saw Dair behind it. 

“Is that your horse?” the Shannike asked, approaching, and touching the horse's face. 

“It is, sir,” he replied. 

“Then feed him well tonight. He’ll be traveling soon.”

Not fully understanding what he heard, but nonetheless unwilling to contradict the old man, he did what he had requested. 

The seventh night filled them with mixed feelings, knowing it would be the last time the Shannike would be with them. However, excitement grew as he told the stories of The Dream of Aengus, where the 'Dagda' cast a spell to make the sun and moon stand still for nine months, so Aengus could be conceived and born on the same day. It scared the young ones when he recounted the history of The Children of Lir, where a Druid’s wand turned four children into white swans. 

Pausing between stories, the oil lamp caused a glint from the gold ring on his finger. Oonagh had noticed it the very day he arrived. It was unlike anything she had ever seen and was curious.

“I have a question, sir?”

His kindly eyes and a nod showed she could continue.

“Can you tell us about your ring?”

In a strong but soft voice, the Shannike began, looking around the room at all the faces hanging on his every word.

“Long ago, a fisherman from the Claddagh near Galway, engaged to be married, was captured by pirates and sold into slavery. Taken to Algeria, North Africa, he became the property of a rich Moorish goldsmith, who trained him until he became a master craftsman and a free man.

“Never forgetting the girl he had left behind, he fashioned his first Claddagh Ring in solid gold as a gift for her, then came back home only to find she had married another and left the town. He died of a broken heart. But his people adopted the ring. They always make it of solid gold and know it only by its Irish name of Fáinne Claddagh. It shows two hands holding a heart in the middle, and a crown at the top. The heart symbolizes love, the hands, friendship, and the crown loyalty and fidelity. If the ring is worn with the heart pointing outwards, it means the person is courting a woman. If it points inwards towards the heart, it symbolizes marriage.” 

The old man held up the back of his hand so Oonagh could see it better.

“It must be worth a fortune,” she replied. And then daringly she asked, “With the heart down, then there must be a woman in your life?”

The Shannike’s eyes sparkled, and he paused as memories of another time flooded in. 

“You know, I cannot answer,” he said. “That would be a second question.” 

“But now I’ll tell you the story of Tir na Nog. Many years ago, there lived a great and noble warrior name Oisin, the son of Fionn MacCumhaill, the leader of the Fianna clan. While hunting, they saw an extraordinary sight. A young woman came riding towards them on a spirited snow-white horse. She was the most beautiful person anyone had ever seen. With long red hair down to her waist and wearing a pale blue dress, she seemed surrounded by light. 

“As she brought it to a stop, the horse's hooves struck some stones, sending small sparks into the air, and in a voice that sounded like the music of a harp she said, ‘I am Niamh, and my father is the king of Tir na Nog. I am looking for the noble warrior Oisin to invite him to return with me to the Land of The Eternal Young.’ Oisin stepped forward to greet her. As his eyes met Niamh's, it was love at first sight.

“Come with me to Tir na Nog,’ Niamh pleaded. After only a moment's hesitation, Oisin swung up behind her onto the snow-white horse and together they crossed the sea to Tir na Nog.

“Having grown up in Ireland, Oisin would never have believed that a more beautiful land existed. In this magical place, Niamh and Oisin's love grew deeper as she shared the treasures of her enchanted homeland. Three hundred years passed as though it were but a single day. No one in Tir na Nog fell sick. Nobody knew of sadness. Nobody aged. They lived in endless, youthful moments filled with happiness.

“Despite a life of pleasure, and his deep love for Niamh, a small part of Oisin's soul was lonely. Such feelings were unknown in Tir Na Nog, but his longing to return to Ireland overwhelmed him. Niamh couldn’t ease his loneliness and reluctantly allowed him to return, agreeing because she loved him. ‘You must go and ride my snow-white horse there,’ she said, but then added a serious warning. ‘If you ever get down from my horse or set foot on Irish soil, you can never return to Tir na Nog.’ 

“Riding the snow-white horse, Oisín reached his homeland and found everything had changed—to him it felt as though just three short years had passed, but it was actually three hundred. His family and friends had long passed away. The Fianna no longer hunted in the hills, and the castle he once called home was now in ruins. In his quest to find his family and his grief at their loss, he forgot to care for the beautiful snow-white horse. Despite its hunger and fatigue, it continued to respond to Oisin. Finally, with a sad heart, he turned the horse back toward the sea to return to Tir na Nog.

“He came upon a group of men working in a field, and as the horse reached them, its fatigue caused it to stumble. Its hoof hit a stone. Oisin bent down to pick it up, planning to take it to Tir na Nog. He felt certain that carrying back a piece of Ireland would ease his sadness. But as his hand grasped the stone, the straps holding his saddle broke, and he fell to the ground. Within moments, Oisin aged three hundred years. Without its rider, the horse reared up and rushed into the ocean, returning to Tir na Nog and its beloved Niamh.

“The men in the field witnessed something that amazed them. Not only had they seen a young man age before their eyes, but they also saw a tired old plough horse race into the sea.

Rushing to his aid, the men carried him to St. Patrick. When he met the Saint, Oisin spoke about his family history, his love for Niamh and the Land of Eternal Youth, Tir na Nog. But St Patrick could not console him, and the old man simply lay down and died.

“Even to this day, the fishermen and lighthouse keepers still tell of foggy nights when the moon is full, they sometimes see a shimmering snow-white horse dancing in the waves along the shores of Ireland. Some say that the beautiful red-haired maiden, in a pale blue dress who rides the horse, still searches for Oisin.”

There were gasps around the cottage as he finished his story. Children just stared in awe at the Shannike, not fully taking in what they had just heard. Men looked shocked. Women wept. 

When everyone had left, and the children put to bed alongside the animals, knowing they would be warm there, Dair said, “We have prepared our bedroom for you. Let me show you where it is.”

“Thank you kindly, Dair, but I’ll not be needing it. Rest there with your wife and young ones. I’ll sleep here in the rocking chair next to the fire. If you would throw another piece of turf onto it, I’ll be just fine.”

At that moment, Oonagh came in and stood quietly listening.

“Before we sleep, let me give you both a final word for your kindness and generosity. ‘Running water reveals the sounds of the Otherworld, to those who know how to listen.’”

As the night noises nursed everyone to sleep, the Shannike listened. The wind gently rustling through the thatched roof and the faint tap tap of the loosely fitting shutters provided the music he needed. It was time to go. He’d prepared for this moment. As the red glow from the peat fire warmed his body, the Shannike felt himself slowly being transformed. First his feet began to melt, then his legs and next his torso stopping just below his heart. Life stood still for one last second as he smiled and nodded, then he was gone. All that remained was a pool of wax on the rocking chair which turned into water. But as it evaporated, something else was lying there. Shining brightly from the light of the fire was his Claddagh ring.
​

When Oonagh came in to replenish the fire in the morning, she saw the empty chair and the ring and wondered. There was no sign of the Shannike. Then she heard the sounds of their white plough horse galloping into the distance, and she knew.

                                                             💀💀💀

​Michael Barrington lives near San Francisco and writes mainly historical novels: Let the Peacock Sing, The Ethiopian Affair, Becoming Anya, The Baron of Bengal Street, No Room for Heroes. Passage to Murder is a thriller set in San Francisco. Magic at Stonehenge is a short story collection. Take a Priest Like You is a memoir. He has published more than 60 short stories and also blogs on his website: www.mbwriter.net.
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April 2nd, 2025

3/31/2025

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The Genie
​by William Qunicy Belle
This story first appeared in Salmagundi, William Quincy Belle's short story collection.
 

Click here to listen to this story on the Kaidankai Podcast.

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Kelly stood at the entrance and surveyed his new apartment. What a find. Heck, what a steal. This was the perfect location in a great neighborhood, and he couldn’t ask for more. On top of it, the moving company did a great job of getting everything across town at the last minute and arranging the major pieces of furniture. All he had to do was to deal with the smaller things and his personal stuff. Could life get any better than this?

He walked into the kitchenette and opened several cupboards. It would take some thought to figure out how to arrange his dishes, utensils, and cooking items. He peeked inside a side cupboard extending to the floor, the perfect spot for brooms and such. He frowned. There on the floor toward the back was an old cardboard box. The previous owner must have missed it.

Kelly picked it up and carried it to the living room. He set it on the coffee table and sat in an easy chair. Pulling the flaps up, he peered into the box and removed various items: a rolling pin, several sponges, a flower vase, and a plastic tray of utensils. At first glance, none of this seemed of any value, certainly nothing he could use. Getting rid of the box would be first on the list when he put out his garbage and recycling.

Something metallic caught his attention. He reached into the box and pulled out a handheld oil lamp. “You’ve got to be kidding me.” It was a Middle Eastern style, an Aladdin magic lamp. Kelly chuckled. Should he rub it? Now, this might be something worth keeping. The rest of the stuff he’d throw out, but the lamp had a novelty aspect to it and would make for a good conversation piece.

He turned it over, looking for a clue as to its origin. There didn’t seem to be any markings, not even a price tag. He eyed it thoughtfully, shrugged, and then rubbed the side of it. Blue smoke poured out of the spout and Kelly gasped. He shoved the lamp on the table and jerked back wide-eyed as a cloud billowed throughout the room. Waving his hands, he coughed as a pungent aroma filled his nostrils.

The blue smoke dissipated, and Kelly’s vision cleared. He looked at the lamp, then glanced at the box and the other items on the table. He looked up. A man lay on the couch.

“Holy crap!” Kelly jumped up from the chair and backed away, keeping his gaze fixed on this intruder. “Who the hell are you? How did you get in here?”

The man lay full-length, his head propped up by the end arm. His eyes were closed. “Look at me and look at me closely. I’m wearing a turban. I have traditional Arabic shoes.” He wiggled one of his feet. “Note the style of my Middle Eastern attire.” He motioned with one hand down the length of his body. “Who do you think I am?”

Kelly gulped some air and took a step forward to study the figure. “This is impossible.”

The man opened one eye and looked at him. “Oh, ye of little faith.” He sat up and put his feet on the floor.

Kelly crouched, ready to sprint out the door.

The man lounged back, spread his arms out on the back of the couch and half-smiled. “I am Youhenna Diab Mudsin Husain Mahdi, the all-powerful, all-knowing genie of the eternal magic lamp. But you can call me Fred.” He nodded. “At your service. Blah, blah, blah.”

“Get out. This is a gag. Am I being pranked?” Kelly looked around. “Is this being filmed?”

Fred let out a long sigh and rolled his eyes. “Oh boy. Here we go again. Or should I say: here I go again.”

Kelly scowled. “What are you talking about?”

“I always have to go through this, and I find it tedious.”

“Go through what?”

“Having to convince you I’m the real deal.”

“Convince me?”

“Whoever is the current owner of the lamp. They can’t believe I’m a genie and we go through this back and forth until I convince them I am, in fact, a genie: magic, blue smoke, grant wishes and all that.”

Kelly stood upright and eyed the man suspiciously. “So, wise guy, can you prove who you say you are?”

Fred held out his arm, and a bunch of flowers appeared in his clenched fist.

“A magician’s sleight of hand: you pulled that out of your sleeve.”

The flowers disappeared. Kelly looked perplexed and held up his hand, a bouquet in his clenched fist. “Whoa!” He dropped the flowers and backed up a step. “How the hell did you do that?” He stared wide-eyed at the floor.

“Does a magician reveal his secrets? Where’s the magic in that?”

“This is a load of B.S.”

A snort sounded behind Kelly. He whipped around to find a horned steer standing in the middle of his kitchenette. The animal snorted again and defecated with a loud plop on the linoleum floor.

“Still think it’s a load of—”

“Whew!” Kelly winced and held his nose. “Okay, okay. You’ve made your point. Make it disappear.”

Fred shrugged.

The animal was gone. “Hey! What about the manure?” Kelly pointed at the kitchenette. “For crying out loud. Get rid of that!”

Fred shrugged again. “Magicians and animal acts have their problems. If ya gotta go, ya gotta go.”

“Hilarious.” He sat down in the easy chair. “So, you’re a genie.”

“Yup.”

“You grant wishes and all that.”

“That I do. However, plural has been downgraded to singular.”

“Pardon?”

“I don’t grant wishes. I grant a wish. Just one.”

“What happened to three wishes?”

“Cutbacks. Inflation. Expenses have gone up.”

Kelly furrowed his brow. “I think you’re pulling my leg.” Fred gestured toward him, and an invisible force tugged on his right leg, pulling him forward on the chair. “Hey! What are you doing?”

“You said ...”

“I didn’t wish it.”

“True.”

Kelly straightened up in the chair. “So, what do I wish for?”

“That’s up to you.”

“I can wish for anything?”

“Anything at all.”

“How about a ton of cash?”

“Sure. However, a ton is a ton, and when I drop it on you, you’ll be crushed.”

Kelly opened his mouth, paused, then shut it and leaned back in the chair. “What if I ask for gold?”

“That’s fine, but I’ll have to get it from someplace, and Fort Knox seems like a good choice. Of course, I’ll have to leave an I.O.U. with your name and address.”

“Why?”

“I’m a genie, not some petty thief. Geesh, do you think I’m dishonest?”

Kelly pursed his lips. “I take it I have to be specific when making a wish.”

“What you say is open to interpretation.”

“A million bucks?”

“A million male reindeer.

“Okay, okay, a million dollars.”

“A one-dollar bill copied one million times: good for the charge of counterfeiting.”

“All right, I mean one million dollars, all different and legitimate.”

“One million Zimbabwe dollars, currently equal to about twenty-eight hundred dollars U.S.”

Kelly stared at Fred. “You’re an evil genie, aren’t you?”

“I told you that what you say is open to interpretation.”

“Either you’re not too bright, or you’re mean.”

“No need to be insulting. How to win friends and influence genies.”

“You’re going to make this difficult for me.”

“Anything worth doing is worth doing right.”

“How about ...” Kelly tapped his index finger on the arm of the easy chair. “How about making me the richest guy in the world?”

“I transport you to an uninhabited world. You are now the richest person, the only one, but the richest.”

“Immortality?”

“Doable. Although, you didn’t also ask for eternal youth. A hundred years from now, you’ll be a walking skeleton with the last remnants of flesh rotting off your bones.”

“Well, that sounds quite unpleasant.”

“You pay the price for your folly.”

“The folly of not being specific.”

“You’re catching on.”

Exasperated, Kelly waved his hand at Fred. “Why can’t you grant my wish? Why can’t you do something nice for me?”

“Be careful what you wish for.”

“Meaning?”

“There may be unintended consequences. Nothing in life is free, and nobody should look for the easy way out. True rewards don’t come from wishes; they come from desire, purpose, and hard work.”

“Are you a philosopher genie?”

Fred tilted his head in reflection. “I’ve seen a lot.”

“How long have you been doing this?”

“A few millennia.”

“You seem kind of cynical.”

“I’ve seen people at their worst: egotistical, self-centered, greedy, power-hungry, a complete lack of compassion, no sympathy, certainly no empathy, and an ignorance about life that is astounding. They’re short-sighted and just plain stupid. It’s hard to believe humans are at the top of the food chain.”

“You seem jaded.”

“It’s hard not to be.”

“Is that why you interpret what I say so literally? Is that why you want to sabotage my wish?”

“Bad things happen to bad people.”

“I like to think I’m not bad.”

“Let’s say you’re not perfect.”

“Who is? Do I deserve to be punished for it?”

“Am I supposed to be all-merciful? Stuff happens. If you stick your finger in a light socket, you get electrocuted. Ignorance or stupidity is no excuse. In the theory of evolution, it’s a way of weeding out the weak and unfit.”

Kelly stared at Fred.

“What?”

“This isn’t my lucky day.”

“Why not? You’ve found this nice apartment. Things seem to be looking up.”

“I was talking about you.”

“I’m here to fulfill your wish.”

“Now I’m wondering why the last tenant left your lamp behind.” Kelly pursed his lips.

“She wished to be happy.”

“And?”

“And what?”

“Did you make her wish come true? Is she happy?”

“Very much so.”

Kelly squinted. “What did you do? How did you interpret her wish?”

“Forrest Gump was a happy guy.”

“Forrest Gump?”

“At least he wasn’t sad.”

“What do you mean?” Kelly paused. “Wait. Did you make her dumber? Did you give her an I.Q. of seventy-five?”

“I think she’s quite content now. Certainly, politics is of no importance to her. Besides, who can follow that stuff, anyway? It’s enough to wipe the smile off any face.”

“Just a second. She wishes to be happy, and your interpretation is to make her as dumb as Forrest Gump.”

“You make the wish; I interpret how to fulfill it.”

“You’re dangerous.”

“Just doing my job.”

“I’m going to make a wish, and you’re going to royally screw me.

“Just doing my job.”

“And just what exactly is that job? You seem to be more of a bad genie than a good one. With a change of clothes, I’d be calling you the devil.”

“Different department.”

Kelly glanced around, rubbing his chin.

“A penny for your thoughts.”

“I think I’ll ask you to go back in the lamp.”

“What about your wish?”

“I don’t trust you.”

“I’ll do exactly what you say.”

“That’s what I’m afraid of.” Kelly picked up the lamp. “Do I rub a second time?”

“That would do it. And I’ll add that you’re making the right choice.”

“I wonder how many innocents over the ages have found themselves in undesirable circumstances?”

“They weren’t innocent, believe me.”

“I’ll take your word for it. I’ll get on with the rest of my life all on my own.”

“In the long run, you’ll have a better sense of accomplishment. Nobody values anything they get for free, but if you work hard, struggle even, your eventual success will be all that much more satisfying.”

“In that getup, I can see you as a spiritual guru, sitting on a mountaintop somewhere spouting wisdom to all those who dare make the pilgrimage.”

Fred chuckled. “Have a good life, Kelly.”

He rubbed the lamp, and the genie disappeared in a cloud of blue smoke. Kelly stared at the lamp for a moment, then put it back in the box. He rode the elevator down to the building garbage room and left the box just inside the door. Maybe another resident could make use of the items.

He put his hand on the door handle to exit and stopped. He took the lamp out of the box and tossed it into an industrial bin marked Garbage.

When Kelly got back to his apartment, a Chinese food delivery guy was knocking on the door across the hall. A flustered man answered, “Oh my God. I forgot about this.” He reached for his wallet. “Quick. How much do I owe you?”

Kelly opened the door to his apartment.

“Hey you, neighbor.” The man pointed at Kelly as he handed the delivery man several bills. “Do you want a free dinner?”

“Pardon?” Kelly said.

“My wife’s water just broke, and I have to get her to the hospital right away. She wasn’t due for another two weeks, but then Bingo! We’re off to delivery.”

The man thrust the large paper bag into Kelly’s hands and disappeared back into his apartment. The delivery man grinned at Kelly and headed down the hall to the elevators.

A man and woman came out of the apartment, and the man locked the door. “It’s okay, honey. We’re only about ten minutes away. I’ve already called the doctor, so everything is set. They’re waiting for us.” The two of them went down the hall to the elevators.

“Good luck,” Kelly said after them.

He went inside and shut the door. Setting the bag on the kitchen table, he pulled various cardboard containers out, examining each one in turn. They all smelled appetizing.

At the bottom of the bag was a white slip of paper, the bill. Kelly picked it up and read down the list, twenty-four dollars in total. This was a pleasant surprise. He hadn’t yet figured out what he was going to have tonight.

Kelly turned the slip over. There, written in blue ink, was the message: Dinner’s on me. Fred. He looked in the direction of his apartment door. “Seriously?” He looked again at the message, chuckled, and shook his head. He picked up a plastic fork and opened the first container.

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William Quincy Belle is just a guy. Nobody famous; nobody rich; just some guy who likes to periodically add his two cents worth with the hope, accounting for inflation, that $0.02 is not over-evaluating his contribution. He claims that at the heart of the writing process is some sort of (psychotic) urge to put it down on paper and likes to recite the following which so far he hasn't been able to attribute to anyone: "A writer is an egomaniac with low self-esteem." You will find Mr. Belle's unbridled stream of consciousness here (https://www.amazon.com/stores/William-Quincy-Belle/author/B01M1IQ69G).



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    Linda Gould hosts the Kaidankai, a weekly blog and podcast of fiction read out loud that explores the entire world of ghosts and the supernatural. The stories are touching, scary, gruesome, funny, and heartwarming. New episodes every Wednesday.

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