<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" >

<channel><title><![CDATA[The Kaidankai Podcast - January  2026]]></title><link><![CDATA[https://www.kaidankaistories.com/january-2026-119397-471671-166181-453157-469654-607961-193373-103351-917538]]></link><description><![CDATA[January  2026]]></description><pubDate>Sun, 07 Jun 2026 12:08:56 -0700</pubDate><generator>Weebly</generator><item><title><![CDATA[January 28, 2026]]></title><link><![CDATA[https://www.kaidankaistories.com/january-2026-119397-471671-166181-453157-469654-607961-193373-103351-917538/january-28-2026]]></link><comments><![CDATA[https://www.kaidankaistories.com/january-2026-119397-471671-166181-453157-469654-607961-193373-103351-917538/january-28-2026#comments]]></comments><pubDate>Wed, 28 Jan 2026 08:00:00 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.kaidankaistories.com/january-2026-119397-471671-166181-453157-469654-607961-193373-103351-917538/january-28-2026</guid><description><![CDATA[That Sound That the Crickets Make &#8203; By Val Chatindo  A first-person supernatural confession about inheriting witchcraft, where fear, taboo, and belonging collide&mdash;and refusing tradition comes at a terrible cost.Click here to listen to this story on the Kaidankai podcast.It never gets easier.Eating another person.It never gets easier.Even when they've just died, and you can pick up that whiff of blood from theirnearly dry veins. It never gets easier.There's just something off, I guess, [...] ]]></description><content:encoded><![CDATA[<h2 class="wsite-content-title"><strong>That Sound That the Crickets Make <br /></strong><font size="5">&#8203; By Val Chatindo</font></h2>  <div class="paragraph"><strong>A first-person supernatural confession about inheriting witchcraft, where fear, taboo, and belonging collide&mdash;and refusing tradition comes at a terrible cost.</strong><br /><span></span><font size="3">Click here to listen to this story on the Kaidankai podcast.<br /></font><br /><br /><br /><font color="#a1a1a1">It never gets easier.<br />Eating another person.<br />It never gets easier.<br />Even when they've just died, and you can pick up that whiff of blood from their<br />nearly dry veins. It never gets easier.<br /><br />There's just something off, I guess, with tearing through the morsels of flesh of<br />another human being. Someone, who just like you, lived, breathed and maybe even<br />cried too. A whole person with a whole existence reduced to morsels of decaying,<br />shitty-tasting flesh. Ha!<br /><br />And the thing is, it doesn't really matter what state of decay or preservation you find<br />them in. Death is death. And it doesn't smell or taste good at all. There's no<br />excitement in consuming a person like they're a freshly slaughtered chicken on<br />Christmas day.<br /><br />It's horrible.<br /><br />Let's not even talk about the decaying ones. The ones who've been in the ground<br />for months. Who've since burst like water balloons, pouring their innards all over<br />their single roomed eternal confinements. And yes, that's probably my favourite<br />thing about death. That whether you lived in a mansion or a shelter, you rest<br />eternally in a single room. But back to those unrecognisable ones, we'd all rather<br />forget about them, or rather I would. Even though I pretend to enjoy their flesh<br />when I'm amongst those who are like me. What choice do I have? Witches are evil<br />and one slip up, one hint that you aren't as tough as you make yourself out to be<br />and those she-devils will eat your loved ones, alive. You can't afford to show<br />hesitation around here. After-all there are some real psychos in this little taboo<br />world. Extremists who take this whole witching thing to the point of obsession. I'm<br />sure they enjoy the decaying flesh. The smell of it. Rotting, putrid.....<br />Disgusting.<br />I remember the first time I ate the carcass of a rotting baby. I was twelve, and I<br />had just started my nighttime&nbsp;routine. Night running is what some fancy bastards<br />call it. It was just around the time I started to hear Gogo calling me in my dreams,<br />beckoning me out of the house and into the night. Those were just dreams, the first<br />few times at least. Until I really did start to see Gogo. Until I could reach out my arm<br />and feel her naked body under my hand. That's another weird thing about<br />witchcraft. Nudity. Why the hell do we need to be naked all the time?<br />&#8203;<br />Anyways, while others my age were heeding Jesus' call and preparing themselves<br />to feast of the bread and wine so generously provided by the church, I was going<br />through my own rites of passage preparing to feast on the actual body.<br />I remember that first night. Who forgets their first?<br />Rising from my bed that night, I thought at first that I was moving with my actual<br />body and so I had tip toed my way out of the house to avoid rousing my two younger siblings who had dozed&nbsp;off obliviously next to me. To avoid alerting my mother<br />in the next room, awake in those wee hours, praying over her little family, hoping to<br />ward off&nbsp;all the witches, in the form of jealous neighbours and discontented<br />relatives. Witches who threatened to ruin her children's destiny. Witches who were<br />like her mother-in-law. Gogo.<br />If only she knew that the darkness was already within her household.<br />The first time I realized that it really wasn't me was the next morning when I stood<br />next to my sleeping body. Just thinking about it even now has me shuddering. It<br />was so... unnatural.<br />My body laying there had looked so innocent and beautiful. Oblivious almost. And<br />yet something about it just seemed so wrong, dirty almost. That I had seen<br />something that most people never got to see. Something that God never intended<br />for us to witness.<br />This was a taboo. And not the sweet kind Sade sang about.<br />I avoided looking at myself from that day. For what would I do if that body opened<br />its&nbsp;eyes and looked right into me? What would I do if I saw me?<br />How would I ever cope with my own judgment? With my own assessment of the<br />person I was now? The thing I had become. A night animal that&nbsp;fed upon the<br />carcasses of the dead. Vampire, witch, bottom feeder. Call it whatever you want but<br />it's all one thing. Coward.<br />Gogo had stood by me that day and slipped her hand into mine.<br />"It's amazing isn't it?" She had said.<br />I had looked at her and thought what a sick a twisted person she must have been.<br />What exactly is amazing? I had wanted to ask her? Why had she brought me into<br />this disgusting little world of hers? A world where old, neglected and sexually<br />deprived women became young again. Where they terrorized their children and<br />neighbours and waited for the cover of night to settle petty scores. A world where<br />these old irrelevant women once more mattered. Where they got to rule over<br />younger girls like me who were still new and needed to be tutored into their way of<br />life.<br />It makes sense why this sport is an old woman's game. Especially for those who<br />have no other hobbies or pastimes. It's a world where they get to feast until they<br />are bloated and fuck each other until they tire. And when all is said and done they<br />hope to let their descendants in on their little secret. So that by the time we get old<br />too and our children have forgotten about us, we still have something to look<br />forward to.<br />But if they didn't want to be so lonely, why did they kill their husband's then?<br />"Will you do it?" She asks me.<br />Our eyes meet, and all the answers are shared without words.<br />Will I do it....<br />In our family all the women are widows. All their men die young. The world has<br />always wondered why most women are widows.<br />I love Jawala. I really do.<br />I love the smell of his morning breath and his sweat after we've made love. I fucking<br />love his dirty smell.<br />That's how I knew. They say you know someone is the right match for you if you love their dirty smell<br />and I love his. It's like the smell of dirt.<br />I love his dirty smell.<br />I really don't want to kill him. We've only been married for five years. Yet.....<br />"Is there really any other choice?"<br />I look at Ruva. She's been married for eight and soon she will have to give her<br />husband up. I don't really know why it's a must for us to kill our spouses? Or why<br />we devour human flesh that we really have no appetite for? Our grandmother's<br />married men they didn't love, men they hated and so killing them was a luxury.<br />These days women marry for love. Sure for other things as well, but there has to be<br />love.<br />None of the stuff we do really makes sense. I mean sure, I get why anyone would<br />want to be a witch. The thrill of leaving your body and floating through the air like a<br />dandelion. The freedom, the danger. The ability to see other witches flying in the air<br />and dotting the sky. That first night I followed Gogo I didn't know what to expect. But<br />all my fears were blown away the moment I saw my aunts, tetes and cousins.<br />Family. A sense of belonging. Isn't that what we really do it for?<br />Maybe the revenge too? Knowing that you can exact instant justice on whoever<br />messes with you. In church they taught us that vengeance belongs to God. God is<br />too slow, I say. Take matters into your hands and make sure they never fuck with<br />you again. You have to be careful with that one though. You can mess with the<br />wrong person and by wrong person I mean those people that are guarded by a<br />higher power. For some it's angels, their dead relatives and even a family spirit<br />which guards every member from stray bullets. I remember one time when I tried to<br />enter my neighbor's house and ended up being pursued by a man with fire inside his<br />eyes. Had he gotten to me, I never would've woken up. I would've died in my sleep.<br /><br />Still, we don't have to eat people or kill our spouses. But you know that with Satan<br />all things come with strings attached. There isn't any magic in eating flesh or spilling<br />blood. The devil is just an asshole, and he loves to make people do sick things. He'll<br />make a person cut a toe for a car, wear a certain type of clothing for a business<br />deal, and rape a Virgin for a cure. None of those things holds&nbsp;power. If people simply<br />believed, they would get the exact same results. But we don't believe.<br />Consequently, Satan is a sadist who loves to make people fuck up. I hate that<br />bastard. Ironic right?<br /><br />Like everything in life, there's a hierarchy, too, in witchcraft. And the higher up you go,<br />the less unpleasant shit you have to do. You'd think we'd wake up bloated, tired<br />even. But remember how I said it's not our physical bodies which do the deed. It's<br />your spirit and not just your spirit. I mean, am I making sense? It's the same magic<br />that&nbsp;allows certain ghosts to materialise and even manipulate physical objects.<br />There are, of course, degrees to this materialization. A ghost can be as fragile as<br />paper or as solid as cement. It all takes practice and a certain amount of energy<br />and focus.<br /><br />I've seen my fair share of ghosts in the cemeteries and homes we frequent. The<br />ones we find amongst the graves are always a sad sight. Men, women, and<br />occasionally children wandering aimlessly. Watching<br />helplessly as we dig up their bodies. Some turn into balls of fire, others simply<br />vanish under the rays of the rising sun. Though some have become such masters<br />of the craft that you may even glimpse them by day. What makes any spiritual entity powerful, I've come to discover, is fear. The more<br />afraid you are of it, the easier it is for it to torture you. These forces have<br />nothing to do, Their families and loved ones have since forgotten them. So they<br />derive their only entertainment from preying on paranoid people who are fixated on<br />negativity. It's why you should be careful with your mind. Anxiety and depression<br />are good bait for negative spirits. You could be walking&nbsp;down the street absorbed in<br />your miseries, when a bored spirit picks up your energy and latches onto you. And&nbsp;<br />you wonder as to why you can't get out of that slump.<br /><br />Be very careful.<br /><br />The principles of fear apply even with witchcraft. The people who we really have<br />power over are those who&nbsp;are afraid of us. Most of them hide behind their bibles<br />and holy water, which they sprinkle all over their houses. Some, like Mama, wake<br />up in the wee hours to pray in the hopes of warding evil forces away. It doesn't<br />matter, though. Fear is fear. And like dogs, we can pick it up, and we thrive off it.<br /><br />What I am curious about, is those writers who get this whole spiritual realm thing<br />spot on. Writers like J.K Rowling who describe the witching world like they exist in<br />it. Watching the one movie where there was a snake used for all manner of wicked<br />acts made me realise that this thing really is global. Its a pandemic.<br /><br />We're on our way home and we are wading through the tall grass of the savannah<br />just before we fly home. Ruva is still looking at me, hoping for an answer.<br />"Maybe we should end it once and for all?" She whispers even though we are alone<br />Not the witching thing. There's no way any of us want to walk away from any of this.<br />We're too far gone.<br /><br />That sound that the crickets make as the sun is about to wake pierces the air and<br />as Ruva slips her hand into mine we smile at each other.<br /><br />"Maybe" I answer. Maybe this witching thing should now be a young woman's game.<br />Just maybe.<br /><br />&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#128128;&#128128;&#128128;<br /><br /><em><font size="2">Valerie Tendai Chatindo is a biochemistry graduate, writer, and communications consultant. She&rsquo;s a regular contributor for The Kalahari Review, Enthuse Magazine, The Diplomat Zimbabwe, and EarGround. Her work has also appeared in Pink Disco Magazine, Creepy Pod, Agbowo, Argyl Literary Magazine, The Afterpast Review, Whisper House Press, Omenana, Efiko Magazine, Writer&rsquo;s Space, and Literary Yard. Her short story &ldquo;Sheba,&rdquo; was shortlisted for the African Cradle African Heroines literary prize, and her pieces were featured in Povo Afrika&rsquo;s Nehanda Reimagined anthology. Her debut novel Mono: Tales of The Tapa Kingdom is shortlisted for the Iskanchi Book Prize. The twenty-nine-year-old resides in Harare, Zimbabwe with her cat, Muffins. She runs her own Literary Platform, Shumba Literary Magazine.</font></em></font><br /><br /><br /></div>]]></content:encoded></item><item><title><![CDATA[January 21, 2026]]></title><link><![CDATA[https://www.kaidankaistories.com/january-2026-119397-471671-166181-453157-469654-607961-193373-103351-917538/la-loca-mythic-revenge-story]]></link><comments><![CDATA[https://www.kaidankaistories.com/january-2026-119397-471671-166181-453157-469654-607961-193373-103351-917538/la-loca-mythic-revenge-story#comments]]></comments><pubDate>Wed, 21 Jan 2026 08:00:00 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.kaidankaistories.com/january-2026-119397-471671-166181-453157-469654-607961-193373-103351-917538/la-loca-mythic-revenge-story</guid><description><![CDATA[La Locaby Robert Walton  La Loca is a mythic supernatural story of betrayal, hypocrisy, and feral justice.Click here to listen&nbsp;on the Kaidankai podcast.&#8203;Sparks whirled like a dancer's skirts and then leaped towardDecember stars. The fire&mdash;manzanita below, oak on top&mdash;burned blue atits heart. Joaquin Murrieta extended his hands gratefully toward its fierceheat. His sixty-two years gave him an appreciation for a good fire."Se&ntilde;or Murrieta, supper is ready."Joaquin turned [...] ]]></description><content:encoded><![CDATA[<h2 class="wsite-content-title"><strong><font size="7">La Loca<br /></font></strong><font size="5">by Robert Walton</font><br /></h2>  <div class="paragraph"><em><font color="#d5d5d5">La Loca is a mythic supernatural story of betrayal, hypocrisy, and feral justice.<br /></font></em><span style="color: rgb(213, 213, 213); font-size: small; font-family: Quattrocento; letter-spacing: 0.02em;">Click </span><a href="https://www.spreaker.com/episode/la-loca-by-robert-walton-a-mythic-tale-of-revenge-and-supernatural-justice--69524312" target="_blank" style="font-family: Quattrocento; letter-spacing: 0.02em;">here</a><span style="color: rgb(213, 213, 213); font-size: small; font-family: Quattrocento; letter-spacing: 0.02em;"> to listen&nbsp;on the Kaidankai podcast.</span><br /><span></span><br /><br /><br /><font color="#a1a1a1">&#8203;Sparks whirled like a dancer's skirts and then leaped toward</font><br /><font color="#a1a1a1">December stars. The fire&mdash;manzanita below, oak on top&mdash;burned blue at</font><br /><font color="#a1a1a1">its heart. Joaquin Murrieta extended his hands gratefully toward its fierce</font><br /><font color="#a1a1a1">heat. His sixty-two years gave him an appreciation for a good fire.</font><br /><font color="#a1a1a1">"Se&ntilde;or Murrieta, supper is ready."</font><br /><font color="#a1a1a1">Joaquin turned.</font><br /><font color="#a1a1a1">"Will you join me?" The speaker, a trim, bearded man in his middle</font><br /><font color="#a1a1a1">years, gestured toward the portico of Dutton's Hotel. A long table was</font><br /><font color="#a1a1a1">laden with barbecued slabs of beef, roasted chickens, tortillas, preserves of</font><br /><font color="#a1a1a1">apricots and plums, dishes of steamed squash and corn, jalape&ntilde;os, cut</font><br /><font color="#a1a1a1">lemons, pies, and cakes. A black iron pot of beans squatted at the table's far</font><br /><font color="#a1a1a1">end.</font><br /><font color="#a1a1a1">Joaquin smiled, "I would be honored, Captain Dutton."</font><br /><font color="#a1a1a1">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;*</font><br /><font color="#a1a1a1">"Cigar?" Captain Dutton inclined his head.</font><br /><font color="#a1a1a1">Joaquin chuckled. "Thank you, no."</font><br /><font color="#a1a1a1">"You enjoyed our modest feast?</font><br /><font color="#a1a1a1">"Very much so. I cannot resist roasted corn with butter and chil&eacute;."</font><br /><font color="#a1a1a1">Dutton waved expansively. "There is more!"</font><br /><font color="#a1a1a1">Now Joaquin laughed, "No! My horse must be able to carry me</font><br /><font color="#a1a1a1">tomorrow!"</font><br /><font color="#a1a1a1">Dutton shrugged, plucked a cigar from his vest pocket, cut off its</font><br /><font color="#a1a1a1">tip with his penknife, and lit it with a match. Once its end was glowing, he</font><br /><font color="#a1a1a1">said, "I would very much like you to extend your visit, sir. Jol&oacute;n will be</font><br /><font color="#a1a1a1">calmer once the fiesta ends." He gestured to the star-filled sky with his</font><br /><font color="#a1a1a1">cigar. "And before the rains come, I promise you more California evenings</font><br /><font color="#a1a1a1">such as this one."</font><br /><font color="#a1a1a1">A woman's scream, sharp as broken glass, suddenly rent the air.</font><br /><font color="#a1a1a1">Figures struggled in darkness beyond the fire. The woman screamed again.</font><br /><font color="#a1a1a1">Joaquin and Dutton rose from their seats. Dutton lifted a lantern</font><br /><font color="#a1a1a1">from the table's end, and they strode swiftly toward the disturbance. The</font><br /><font color="#a1a1a1">lantern in Dutton's left hand made a swaying circle of yellow light on dry</font><br /><font color="#a1a1a1">grass. He raised it and revealed a woman slumped on the ground. Acompact, work-hardened man stood above her. Dutton asked, "What's the</font><br /><font color="#a1a1a1">matter here?"</font><br /><font color="#a1a1a1">The man looked up. "This is none of your business, Captain."</font><br /><font color="#a1a1a1">Dutton's eyes glinted. "Michelson, isn't it?"</font><br /><font color="#a1a1a1">"What's it to you?"</font><br /><font color="#a1a1a1">Dutton continued in an even tone. "This is my property. Everything</font><br /><font color="#a1a1a1">that happens here is my business."</font><br /><font color="#a1a1a1">"This woman gave me guff. I don't take guff from Mexicans. Or</font><br /><font color="#a1a1a1">women." The man gripped a fistful of the woman's long, grey-streaked</font><br /><font color="#a1a1a1">hair and pulled her face toward the light. The face was round, middle-aged</font><br /><font color="#a1a1a1">and tear-stained. A bruise was already swelling beneath her left eye.</font><br /><font color="#a1a1a1">She sobbed, "Help me, Captain!"</font><br /><font color="#a1a1a1">"Shut up, bitch!" Michelson slapped her with his open right hand.</font><br /><font color="#a1a1a1">Her head snapped to the side and she whimpered.</font><br /><font color="#a1a1a1">Dutton shouted, "Unhand that woman!"</font><br /><font color="#a1a1a1">Michelson balled his hand into a fist and drew it back to punch her</font><br /><font color="#a1a1a1">in earnest. Swifter than a stooping hawk, Joaquin stepped forward and</font><br /><font color="#a1a1a1">gripped the fist with his left hand. Michelson's muscles bulged beneath his</font><br /><font color="#a1a1a1">shirt as he strained against the old man's grip, but his hand didn't move.</font><br /><font color="#a1a1a1">Anger replaced surprise on his face, and then fear froze his features into a</font><br /><font color="#a1a1a1">snarl.</font><br /><font color="#a1a1a1">Joaquin nodded. "You had best do as Captain Dutton says."</font><br /><font color="#a1a1a1">Michelson released the woman's hair. Lantern light gleamed from</font><br /><font color="#a1a1a1">Joaquin's neatly trimmed silver beard and from the silver blade he pressed</font><br /><font color="#a1a1a1">into Michelson's armpit. A coin-sized patch of blood stained the man's shirt</font><br /><font color="#a1a1a1">around the knife's tip.</font><br /><font color="#a1a1a1">Dutton stepped closer. "I want you off my property. Now."</font><br /><font color="#a1a1a1">Joaquin released Michelson's fist, but kept his knife leveled.</font><br /><font color="#a1a1a1">Michelson glared at them, whirled and stalked into the darkness.</font><br /><font color="#a1a1a1">Dutton patted the crying woman's shoulder and offered her his</font><br /><font color="#a1a1a1">other hand. "You are Mrs. Morales, no?"</font><br /><font color="#a1a1a1">"Yes, Se&ntilde;or Dutton." She took his hand and struggled to her feet.</font><br /><font color="#a1a1a1">"May we help you?"</font><br /><font color="#a1a1a1">Se&ntilde;ora Morales smoothed her black skirt. "That man is after my</font><br /><font color="#a1a1a1">niece, Rosinda." She looked down. "Perhaps Rosinda flirted with him, but</font><br /><font color="#a1a1a1">she is only sixteen. She knows no better."</font><br /><font color="#a1a1a1">Dutton smiled grimly. "Do not fear, Se&ntilde;ora Morales. Both you and</font><br /><font color="#a1a1a1">your niece will be guarded tonight."</font><br /><font color="#a1a1a1">Joaquin asked, "Your niece is beautiful, Se&ntilde;ora?"</font><br /><font color="#a1a1a1">Se&ntilde;ora Morales looked at Joaquin. "As a flame, Se&ntilde;or."</font><br /><br /><span style="color:rgb(161, 161, 161)">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;</span><font color="#a1a1a1">*</font><br /><font color="#a1a1a1">Joaquin awoke suddenly. He felt for his boots with his left hand,</font><br /><font color="#a1a1a1">found them. Sometimes, though with secret guilt, he slept with them on,</font><br /><font color="#a1a1a1">even in a warm room, adobe walls awash in amber candlelight. Years of</font><br /><font color="#a1a1a1">hunting and being hunted made his sleep a fragile cup, always less than</font><br /><font color="#a1a1a1">half full. Footsteps approached. They'd awakened him. A knock rattled his</font><br /><font color="#a1a1a1">door.</font><br /><font color="#a1a1a1">"Mr. Murrieta?" Dutton's voice was hoarse.</font><br /><font color="#a1a1a1">"I'm here."</font><br /><font color="#a1a1a1">"There's trouble in the fiesta camp."</font><br /><font color="#a1a1a1">"I'm coming."</font><br /><span style="color:rgb(161, 161, 161)">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;</span><font color="#a1a1a1">*</font><br /><font color="#a1a1a1">They walked beneath early winter stars, points of frozen blue fire,</font><br /><font color="#a1a1a1">Dutton slightly ahead of Joaquin. A boy carrying a lantern walked ahead of</font><br /><font color="#a1a1a1">him. Dutton spoke over his shoulder. "I posted two sentries tonight.</font><br /><font color="#a1a1a1">Manuel here is only fourteen, but he's responsible. He woke me."</font><br /><font color="#a1a1a1">Manuel stopped abruptly and held the lantern low. Dutton and</font><br /><font color="#a1a1a1">Joaquin stepped to either side of him. A dead man lay at their feet. His</font><br /><font color="#a1a1a1">eyes were wide with surprise, and his mouth was open. Blood seeped into</font><br /><font color="#a1a1a1">dust from a wound in the back of his head.</font><br /><font color="#a1a1a1">Joaquin studied the dead face. "Who is this man?"</font><br /><font color="#a1a1a1">"Clinton Burke, the other sentry." Dutton paused. "He served with</font><br /><font color="#a1a1a1">me in the war."</font><br /><font color="#a1a1a1">"Michelson did this?"</font><br /><font color="#a1a1a1">Dutton nodded, "Michelson."</font><br /><font color="#a1a1a1">"The girl?"</font><br /><font color="#a1a1a1">Dutton nodded again. "He has her."</font><br /><font color="#a1a1a1">"We ride?"</font><br /><font color="#a1a1a1">Dutton straightened, looked at the sky. "It is several hours until</font><br /><font color="#a1a1a1">dawn. We can gather men and follow him then."</font><br /><font color="#a1a1a1">Manuel dropped the lantern. It shattered on a rock and went out.</font><br /><font color="#a1a1a1">"Se&ntilde;or!" he gasped, "Look!" The boy's shaking finger pointed into the</font><br /><font color="#a1a1a1">darkness.</font><br /><font color="#a1a1a1">A tall woman approached from the river. Her face was pale,</font><br /><font color="#a1a1a1">luminous. Her blue gown and shawl shone like moonlit ice. Her hair was</font><br /><font color="#a1a1a1">midnight black. Dutton whispered, "La Loca."</font><br /><font color="#a1a1a1">Joaquin glanced at him. "La Loca?"</font><br /><font color="#a1a1a1">Manuel uttered a strangled cry and ran.</font><br /><font color="#a1a1a1">Dutton took a deep breath. "Do you fear ghosts, Mr. Murrieta?"</font><br /><font color="#a1a1a1">"I fear the evil which spawns them."<br />"Much evil created La Loca."</font><br /><font color="#a1a1a1">Joaquin remained silent.</font><br /><font color="#a1a1a1">Dutton continued, "She lived near Mission San Antonio when I</font><br /><font color="#a1a1a1">first arrived in this territory. She was a beauty. All of the men in this valley,</font><br /><font color="#a1a1a1">young and old, were drawn to her. She dallied with some of them. Her</font><br /><font color="#a1a1a1">husband caught her with a young man. Though he had many lovers</font><br /><font color="#a1a1a1">himself, he was jealous. When he accused her, she laughed at him. He</font><br /><font color="#a1a1a1">squeezed her throat so hard that the prints of his fingers were branded into</font><br /><font color="#a1a1a1">her flesh. Then he cut off her head."</font><br /><font color="#a1a1a1">"Why?"</font><br /><font color="#a1a1a1">"He buried it in a hidden place so that her spirit could not rest."</font><br /><font color="#a1a1a1">"And?"</font><br /><font color="#a1a1a1">"Her spirit did not rest. She appeared first on the night after her</font><br /><font color="#a1a1a1">Mass of burial. We found her husband's body the next day in front of his</font><br /><font color="#a1a1a1">cabin." Dutton paused.</font><br /><font color="#a1a1a1">Joaquin waited for him to finish.</font><br /><font color="#a1a1a1">"His body was torn to pieces. The Indians say that monsters do her</font><br /><font color="#a1a1a1">bidding." Dutton looked at Joaquin. "When La Loca appears, someone</font><br /><font color="#a1a1a1">dies.&rdquo;</font><br /><font color="#a1a1a1">La Loca stopped and looked directly at them. Her eyes were black</font><br /><font color="#a1a1a1">pits in which embers gleamed. She raised her right hand and pointed</font><br /><font color="#a1a1a1">toward the northwest.</font><br /><font color="#a1a1a1">Dutton's voice quavered. "We have a guide, it seems. Will you ride</font><br /><font color="#a1a1a1">with me, sir?"</font><br /><font color="#a1a1a1">"Let us get our horses."</font><br /><span style="color:rgb(161, 161, 161)">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;</span><font color="#a1a1a1">*</font><br /><font color="#a1a1a1">They rode up the old cattle trail toward Reliz Canyon, Joaquin</font><br /><font color="#a1a1a1">slightly ahead of Dutton. La Loca drifted far ahead like a distant wisp of</font><br /><font color="#a1a1a1">fog, but neither man sat easily in his saddle. An hour before dawn, the</font><br /><font color="#a1a1a1">ghost vanished. Joaquin smelled wood smoke and held up his hand.</font><br /><font color="#a1a1a1">Dutton reined his horse in and leaned close to Joaquin. "What is</font><br /><font color="#a1a1a1">it?"</font><br /><font color="#a1a1a1">"A campfire. You said Michelson has a gang. How many?"</font><br /><font color="#a1a1a1">"Six, perhaps seven."</font><br /><font color="#a1a1a1">Joaquin nodded. "We'll tie our horses here and approach them from</font><br /><font color="#a1a1a1">below. The air is cold and flows downhill. Their horses will not smell us.</font><br /><font color="#a1a1a1">The darkness will help us, too."</font><br /><font color="#a1a1a1">Dutton whispered, "Will there be a sentry?"</font><br /><font color="#a1a1a1">Joaquin pulled out his knife. "Always."</font><br /><br /><span style="color:rgb(161, 161, 161)">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;</span><font color="#a1a1a1">*<br />The sentry's fingers quivered, but he no longer breathed. Joaquin</font><br /><font color="#a1a1a1">wiped his knife upon the man's wool jacket and sheathed it.</font><br /><font color="#a1a1a1">Dutton asked, "What now?"</font><br /><font color="#a1a1a1">"We find the girl and take her." Joaquin smiled. "If we can."</font><br /><font color="#a1a1a1">A rifle shot crashed from the left. Dutton cried out and fell to the</font><br /><font color="#a1a1a1">ground. More shots sounded, and small flashes of gunpowder lightning lit</font><br /><font color="#a1a1a1">the campground. A bullet sizzled past Joaquin's right ear. He fired his</font><br /><font color="#a1a1a1">pistol at the flashes and dove to the ground near Dutton. The firing ceased.</font><br /><font color="#a1a1a1">Dutton gripped his leg and writhed in pain. Joaquin hissed, "Hold</font><br /><font color="#a1a1a1">still!"</font><br /><font color="#a1a1a1">Dutton took a shuddering breath and froze.</font><br /><font color="#a1a1a1">Michelson shouted from above. "Garcia, around to the left!</font><br /><font color="#a1a1a1">Thompson, hold where you are!"</font><br /><font color="#a1a1a1">Joaquin asked, "Are you badly hurt?"</font><br /><font color="#a1a1a1">Dutton snarled, "Yes, damn it!"</font><br /><font color="#a1a1a1">Joaquin grinned. "But not dying, I think. There was a second</font><br /><font color="#a1a1a1">sentry."</font><br /><font color="#a1a1a1">"Obviously." Dutton wadded up a kerchief and bound it to his thigh</font><br /><font color="#a1a1a1">with his belt.</font><br /><font color="#a1a1a1">"Can you shoot?"</font><br /><font color="#a1a1a1">Dutton grimaced. "I can shoot."</font><br /><font color="#a1a1a1">"Good. I'll move. When they fire at me, take them."</font><br /><font color="#a1a1a1">Dutton gripped his pistol. "Right."</font><br /><font color="#a1a1a1">Joaquin scrambled six steps to his left and dove into the shadow of</font><br /><font color="#a1a1a1">a chamisa bush. Rifles crashed and bullets nipped at his heels. Dutton</font><br /><font color="#a1a1a1">fired. One of Michelson's men cried out in agony.</font><br /><font color="#a1a1a1">Michelson rose and shouted, "Rush them now! Get them!"</font><br /><font color="#a1a1a1">Strands of white light suddenly flared next to him. La Loca wove</font><br /><font color="#a1a1a1">herself into being, her face adorned with an angelic smile, her fingers like</font><br /><font color="#a1a1a1">thin, white wires. She reached for him. He gasped and emptied his gun into</font><br /><font color="#a1a1a1">her face, the heavy crashes rolling down the valley.</font><br /><font color="#a1a1a1">She caressed his cheek once. Then she seized him, held him fast</font><br /><font color="#a1a1a1">and bent down until her lips nearly touched his.</font><br /><font color="#a1a1a1">Michelson screamed as he looked into her eyes. His long scream</font><br /><font color="#a1a1a1">tore his vocal chords to bloody rags, but he tried to scream again. La Loca</font><br /><font color="#a1a1a1">released him. He fell to the ground, curled up, covered his eyes with both</font><br /><font color="#a1a1a1">hands, and rolled from side to side, frothing and gurgling.</font><br /><font color="#a1a1a1">Rosinda moaned. She lay wrapped in blankets close to the fire. La</font><br /><font color="#a1a1a1">Loca walked to her, bent down and caressed the girl's hair, whispered into</font><br /><font color="#a1a1a1">her ear. Finally, she rose and gestured with her right hand. Snarls ripped the night. Great cats -- cats from a different age --</font><br /><font color="#a1a1a1">stepped from between boulders and approached the camp. Fangs longer</font><br /><font color="#a1a1a1">than daggers distended their upper jaws, curved wickedly below their</font><br /><font color="#a1a1a1">muzzles and shone with a silvery light of their own.</font><br /><font color="#a1a1a1">Joaquin murmured, "What are they?</font><br /><font color="#a1a1a1">"Tigers&mdash;they lived here long ago."</font><br /><font color="#a1a1a1">La Loca pointed toward Michelson's men. Eyes bulging, the gang</font><br /><font color="#a1a1a1">members turned and ran. The tigers leapt after them. Howls of terror and</font><br /><font color="#a1a1a1">pain sounded in the near darkness.</font><br /><font color="#a1a1a1">After a few moments, the tigers appeared again, heads swaying and</font><br /><font color="#a1a1a1">fangs dripping. The ghost then turned toward Dutton and Joaquin. Joaquin</font><br /><font color="#a1a1a1">held his breath.</font><br /><font color="#a1a1a1">She smiled at them, gestured again, and the tigers paced away. Still</font><br /><font color="#a1a1a1">smiling, La Loca became a fountain of silver light and disappeared.</font><br /><font color="#a1a1a1">Joaquin rose and walked warily to Rosinda. He reached the girl and</font><br /><font color="#a1a1a1">stopped. "Are you all right?"</font><br /><font color="#a1a1a1">She nodded.</font><br /><font color="#a1a1a1">Joaquin knelt beside her. "La Loca spoke to you. What did she</font><br /><font color="#a1a1a1">say?"</font><br /><font color="#a1a1a1">Rosinda whispered, "</font><em style="color:rgb(161, 161, 161)">Justicia</em><font color="#a1a1a1">."</font><br /><font color="#a1a1a1">Joaquin leaned forward. "Justice?"</font><br /><font color="#a1a1a1">"All women hope for justice." Rosinda looked up and smiled. "La</font><br /><font color="#a1a1a1">Loca requires it."</font><br /><font color="#a1a1a1">Joaquin stared down the frosted vale. The saber-toothed tigers</font><br /><font color="#a1a1a1">paced toward distant trees. Moonlight silvered rippling muscles. The last</font><br /><font color="#a1a1a1">and greatest tiger looked back at Joaquin and then stepped beneath oak shadows.</font><br /><br /><span style="color:rgb(161, 161, 161)">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &#128128;&#128128;&#128128;</span><br /><font color="#a1a1a1">&#8203;</font><br /><em><font color="#a1a1a1" size="2">Robert Walton is a retired middle school teacher, rock climber and mountaineer with ascents in Yosemite and Pinnacles National Park.&nbsp;Walton is an experienced writer.&nbsp;His novel&nbsp;<u>Dawn Drums</u>&nbsp;won the 2014 New Mexico Book Awards Tony Hillerman Prize for best fiction. His novella &ldquo;Vienna Station&rdquo; won the Galaxy contest in 2011and was subsequently published by Rosetta Books. Most recently, his story &ldquo;Suka Blat&rdquo; was included in&nbsp;<u>Alternative Truths,</u>&nbsp;an anthology of protest literature.&nbsp;</font></em><br /><br /><br /></div>]]></content:encoded></item><item><title><![CDATA[January 14, 2026]]></title><link><![CDATA[https://www.kaidankaistories.com/january-2026-119397-471671-166181-453157-469654-607961-193373-103351-917538/january-14-2026]]></link><comments><![CDATA[https://www.kaidankaistories.com/january-2026-119397-471671-166181-453157-469654-607961-193373-103351-917538/january-14-2026#comments]]></comments><pubDate>Wed, 14 Jan 2026 08:00:00 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">https://www.kaidankaistories.com/january-2026-119397-471671-166181-453157-469654-607961-193373-103351-917538/january-14-2026</guid><description><![CDATA[&#8203;Polydactyl Aboard&#8203;by Tom Koperwas  &nbsp; &nbsp;&#8203;Click here to listen to this story on the Kaidankai Podcast.&nbsp;Phillip Tanner sat up abruptly in his large, cushioned chair and stared at the shadow of the cat's paw hovering over the small hole in the baseboard. Curious, he leaned forward to examine the dark shape on the wall: a single paw with eight toes and claws.&nbsp;&nbsp; &nbsp;"Impossible," he muttered, casting his eyes about the living room of his neighbour's old sto [...] ]]></description><content:encoded><![CDATA[<h2 class="wsite-content-title">&#8203;<strong style="color:rgb(213, 213, 213)"><font size="6">Polydactyl Aboard</font></strong><br /><span style="color:rgb(213, 213, 213)">&#8203;by Tom Koperwas</span></h2>  <div class="paragraph"><font size="2" color="#d5d5d5">&nbsp; &nbsp;<br /><br />&#8203;Click <a href="https://www.spreaker.com/episode/polydactyl-aboard-by-tom-koperwas-a-maritime-ghost-story--69434724" target="_blank">here</a> to listen to this story on the Kaidankai Podcast.</font><br /><br /><br /><font color="#a1a1a1">&nbsp;Phillip Tanner sat up abruptly in his large, cushioned chair and stared at the shadow of the cat's paw hovering over the small hole in the baseboard. Curious, he leaned forward to examine the dark shape on the wall: a single paw with eight toes and claws.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"Impossible," he muttered, casting his eyes about the living room of his neighbour's old stone house. "There's no cat here to cast a shadow."</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;The door of the kitchen flew open, flooding the room with bright fluorescent light, dispelling the ghostly shadow of the feline appendage. In strolled his neighbour Ray Fontesque, holding an ornate coffee tray in his burly hands. Placing it on the coffee table, he smiled at the austere-looking young man reclining in the chair.&nbsp;</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"I want to thank you for the invite," said Phillip, taking a steaming mug and cookie from the tray.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp; "No need to thank me," replied the retired seaman, whose old, leathery face looked as faded as the nautical tattoos on his arms. "With you being new to the neighbourhood, I thought it only proper to welcome you. Besides that, it's been lonely in the house since my wife died. A little company is a welcome change."&nbsp;</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"Well, at least you have a cat to keep you company," interjected Phillip. &nbsp;&nbsp; &nbsp;"What's that?" the seaman asked sharply, fixing his eyes firmly on the young man.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"I saw the shadow of a cat's paw over there," said Phillip, pointing at the spot on the wall above the mousehole. "A paw with eight toes and claws."</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"Ah..." sighed the old man, lowering his bulk into a chair. "That would be Old Nick. And I thought I was the only person who could see him."&nbsp;</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"I only saw a shadow," whispered Phillip.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"That's a good start," Ray said cryptically, rubbing his white beard with an arthritic hand. The old man sighed. "Sit back, and I'll tell you all about Nicodemus and how I first met him.&nbsp;</font><br /><font color="#a1a1a1">"It was ten years ago. I'd left the salties to work on a freshwater laker. </font><em style="color:rgb(161, 161, 161)">The Beguine,</em><font color="#a1a1a1"> as she was called, was taking on a load of grain at a terminal. We'd installed rat guards on grease-coated mooring lines. Normally, that's a sufficient deterrent to keep rats off a vessel. But the grain terminal's loading equipment was swarming with rodents. Once aboard, they'd chew through the plastic and wood constructions, even the power cables. Worse yet, they'd invade the ship's food stores and contaminate them with feces.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp; "Night was closing in when I saw a big black cat run up the gangplank onto the ship. Naturally, I wondered what our uninvited guest was up to."</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;The old seaman grinned and leaned forward in his chair.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"Later that night, I discovered what his motive was. When I went to bed down, I found next to my berth ten dead rats lying side-by-side in a neat, orderly row; waiting, as it were, for my inspection. Our feline guest had left his calling card.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"Nicodemus, as the crew members called him, was an instant sensation. A seaman loves a hard-working ratter, especially a polydactyl."</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"A polydactyl?" interjected Phillip.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"That's a cat born with extra toes. Hands down, they're the best ratters afloat."</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"I see," said Phillip, his mind drifting back to the shadow on the wall.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"Nicodemus took care of the rats in short order," continued Ray, "and he always left them in nice, neat rows next to my berth and the old hat that he curled up in to sleep. The amazing thing was, we never saw a rat on the ship again after he boarded, no matter how many rat-infested grain terminals we visited, and there were several over the years. I guess you could say Nicodemus was a special kind of cat."</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"Definitely," murmured Phillip.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"When I retired, I purchased the old house here on Dock Street so I could be near the ships in the port. The crew, bless their souls, gave me Nicodemus as a parting gift. And what a wonderful gift he turned out to be! The house was overflowing with mice. Hunting them down was the kind of work Nicodemus relished. I'd never seen him so happy, running around day and night, chasing his little prey.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"I must confess that I got so caught up in his fun that I took to dressing him in bright little costumes: colourful dinner jackets, party hats, and the like. Most cats don't care for that sort of thing, but Nicodemus reveled in the outfits. You should have seen him parading about like a grand duke in his personal hunting grounds."</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"And where is Nicodemus now?" interrupted Phillip.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"Oh, he died," replied Ray sadly. "Two years ago to the day. But you could say that Old Nick has never finished his work, for you'll not find a mouse in this house."</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;Phillip's eyes widened in disbelief. Putting down his mug, he rose to his feet.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"Old Nick has shown you his extra toes," said Ray. "I think he's taken a fancy to you."</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"Thank you for your hospitality," muttered Phillip. "I'm afraid I don't believe in ghosts, feline or otherwise. It's late, and I must be getting home."</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;Taking hold of his coat, he stepped out of the house into the cool harbour air. Walking across the narrow cobblestone street, he entered the fenced yard of his home, a tall, red-brick Victorian Era house. Behind it, in the distance, stood the various warehouses and paint shops of the port's shipyard, and the marine oil terminal's array of white fuel storage tanks. Phillip unlocked the front door and ascended the stairs to his bedroom on the third floor. Laying out his work clothes for the next day, he got into bed. As soon as he closed his eyes, he heard a loud clap. Another mouse in another trap; the third that day. Phillip groaned and drifted off to sleep.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;The sound of innumerable tiny paws running helter-skelter about the room, accompanied by an uproar of desperate squeaks, brought Phillip out of his sleep.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"What the hell?" he shouted, then fell silent when he looked out the bedroom window.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;Outside, a large black cat floated in the air, dressed in a luminous green dinner jacket. It also wore a bright red fez on its head, set at a jaunty angle. Cold blue flames radiated from its fur, illuminating the darkness about it. Squinting its eyes, it curled its lips and tilted its head, casting a loving glance at Phillip.&nbsp;</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"It's Old Nick &mdash; looking like the devil himself!" cried a terrified Philip. Jumping out of bed, he ran to the window and watched as the glowing cat drifted to the ground far below.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"My God! It can't be!" he uttered, his hand shaking as he switched on the light.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;Phillip stood open-mouthed and stared at the window in disbelief; then he grabbed his housecoat and ran down the stairs.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;"What I need is a good, stiff drink," he said, breathing heavily as he walked into the kitchen.</font><br /><font color="#a1a1a1">&nbsp;&nbsp; &nbsp;Freezing suddenly in his tracks, he gasped.&nbsp;</font><br /><em style="color:rgb(161, 161, 161)">On the floor before him lay ten dead mice, lined up in a neat, orderly row, waiting for his inspection.</em><br /><br />&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&#128128;<span style="color:rgb(98, 98, 98)">&#128128;&#128128;</span><br /><br /><em><font color="#a1a1a1" size="2">Thomas Koperwas is a retired teacher living in Windsor, Ontario, Canada who writes short stories of horror, crime, fantasy, and science fiction. His story Vacation won a Freedom Fiction Journal Top Crime Editor's Choice Award 2024. His work has appeared, or is forthcoming in: Anotherealm; Jakob&rsquo;s Horror Box; Literally Stories; The Literary Hatchet; Literary Veganism; Bright Flash Literary Review; Bombfire; Pulp Modern Flash; Savage Planets; Dark Fire Fiction; The Sirens Call; Yellow Mama Webzine; 96th of October; Underside Stories; Danse Macabre; A Thin Slice Of Anxiety; Androids and Dragons; Chewers &amp; Masticadores Canada; The Piker Press; etc.,</font></em><br /><br /></div>]]></content:encoded></item><item><title><![CDATA[January 7, 2026]]></title><link><![CDATA[https://www.kaidankaistories.com/january-2026-119397-471671-166181-453157-469654-607961-193373-103351-917538/january-7-2026]]></link><comments><![CDATA[https://www.kaidankaistories.com/january-2026-119397-471671-166181-453157-469654-607961-193373-103351-917538/january-7-2026#comments]]></comments><pubDate>Wed, 07 Jan 2026 08:00:00 GMT</pubDate><category><![CDATA[living dead]]></category><category><![CDATA[revenge]]></category><guid isPermaLink="false">https://www.kaidankaistories.com/january-2026-119397-471671-166181-453157-469654-607961-193373-103351-917538/january-7-2026</guid><description><![CDATA[Redressby Nick Young  Click here to listen to this story on the Kaidankai Podcast.&nbsp;Montgomery Resor was an unassuming man, and he lived a quiet life. Slight of stature, bespectacled, with a plain oval face given to sallowness and a carefully barbered black beard, he was quite easily overlooked in a crowd. He spent his work days poring over balance sheets at the Boston offices of Samuel Redfield and Sons, Accountants. At thirty-five, he had been with the firm for eight years. He did his work [...] ]]></description><content:encoded><![CDATA[<div class="paragraph"><font color="#d5d5d5"><strong><font size="7">Redress<br /></font></strong>by Nick Young</font><br /></div>  <div class="paragraph"><font color="#da4444" size="2">Click here to listen to this story on the Kaidankai Podcast.&nbsp;<br /></font><br /><br /><font color="#a1a1a1">Montgomery Resor was an unassuming man, and he lived a quiet life. Slight of stature, bespectacled, with a plain oval face given to sallowness and a carefully barbered black beard, he was quite easily overlooked in a crowd. He spent his work days poring over balance sheets at the Boston offices of Samuel Redfield and Sons, Accountants. At thirty-five, he had been with the firm for eight years. He did his work conscientiously and gave no reason for quarrel, each January being rewarded with a small raise in his salary.</font><br /><br /><font color="#a1a1a1">Montgomery lived frugally with his calico cat Charlotte in a modest townhouse in the city&rsquo;s South End. He had no social life. With the exception of his once weekly dinner at a cafe around the corner from his lodging, he took his meals at home.&nbsp;</font><br /><font color="#a1a1a1">An unremarkable life&mdash;until the morning of October 7, 1879.</font><br /><font color="#a1a1a1">At shortly after 9:00, the knocker on his front door sounded heavily.&nbsp;</font><br /><font color="#a1a1a1">&ldquo;Mr. Resor,&rdquo; said the liveried postman, &ldquo;no letters today, sir, but I do have a special delivery parcel.&rdquo; The carrier handed over the package and, tipping his cap, departed.</font><br /><font color="#a1a1a1">When Montgomery had returned to his easy chair by the fire, he mused as his cat curled nearby. &ldquo;Curious, Charlotte. Did I tell you I was expecting a parcel? I thought not.&rdquo; Carefully, his thin fingers removed the brown wrapping paper to reveal a handsome black-leather bound book, its cover embossed in scarlet:</font><br /><font color="#da4444"><strong><em>Collected Tales of the Macabre</em></strong><br /><strong><em>by</em></strong><br /><strong><em>E. A. Poe</em></strong></font><br /><font color="#a1a1a1">&ldquo;Oh, <em>my!</em>&rdquo; he exclaimed, turning the volume over in his hands. His reaction was understandable, for collecting fine books was his singular passion. Since his youth he had been an inveterate reader, and over the years he had amassed a respectable library. In this he found great comfort and fulfillment. He could think of no more gratifying an evening than one in which he lit a fire, brewed a cup of tea and read from a book in his collection.&nbsp;</font><br /><font color="#a1a1a1">With great care, he opened the book to the gilt-edged title page, and when he did, a sheet of note paper slipped out. Unfolding it, Montgomery read the message, written in black ink with calligraphic artistry and precision:</font><br /><em><font color="#a1a1a1">&nbsp;For your eyes only. More rare volumes such as this.</font></em><br /><em><font color="#a1a1a1">&nbsp;Tonight: 7:00&nbsp; 112 Marlborough Street</font></em><br /><em><font color="#a1a1a1">Mme. Olga Fortunoff</font></em><br /><font color="#a1a1a1">He was baffled. He knew no one by that name. Was the invitation actually meant for him? He retrieved the wrapper. Indeed, it was his name written on the paper. But who was this &ldquo;Mme. Fortunoff,&rdquo; and how would she have known of his keen interest in collecting vintage books?<br /><br />Though normally the most reticent of men, the allure of the invitation was potent, and he resolved to accept it and learn the answer to his questions.&nbsp;</font><br /><br /><font color="#a1a1a1">The hours of the day seemed to drag on interminably. Montgomery found himself too restless to lose himself in reading, so he occupied his time by running several errands and taking advantage of the mild autumn weather with a long afternoon walk in a lovely park near his home. But despite the serenity of his surroundings, he could not banish the nervous expectancy that grew within him through the day.</font><br /><br /><font color="#a1a1a1">At length, with evening approaching, he ate a light supper; and, as the clock neared a quarter to seven, he hailed a hansom for Marlborough Street.<br />&#8203;</font><br /><font color="#a1a1a1">Number 112 was a handsome brownstone a few steps off Clarendon Street on one of the Back Bay&rsquo;s leafier blocks. Montgomery climbed the dozen cement steps to the landing and gave the brass knocker several sharp raps.&nbsp; Presently, the door opened, and he was greeted by a tall, arrestingly beautiful woman he took to be in her early thirties.</font><br /><font color="#a1a1a1">&ldquo;Mr. Resor,&rdquo;she said, as she ushered Montgomery into the foyer. &ldquo;you're right on time.&rdquo; Her voice had a smoky, breathy quality. Walking a few more paces, she gestured to her right. &ldquo;Let&rsquo;s make ourselves comfortable here in the library, shall we? Please, take a seat.&rdquo; &nbsp;&nbsp;</font><br /><font color="#a1a1a1">The room was lit only by a fire and several tabletop candelabra, but there was ample illumination for Montgomery to be struck by the rich mahogany bookcases on every wall that held what he could only guess were scores of rare volumes.</font><br /><font color="#a1a1a1">&ldquo;Now,&rdquo; his hostess said warmly, as Montgomery eased into a deep leather chair, &ldquo;a proper introduction. My name as you know from the invitation is Olga Fortunoff. My late husband was an importer of fine wines; and, like you, he was a lover of books. More in a moment, but first let me see to refreshment.&rdquo;&nbsp; On a table between them sat &nbsp;a crystal decanter and two wine glasses. &nbsp;&nbsp;Montgomery took note of the woman's attractiveness&mdash;the fine features of her face, green eyes, her beautifully coiffed dark hair and tasteful, obviouly expensive, clothes. She lifted the decanter and began to fill the goblets.</font><br /><font color="#a1a1a1">&ldquo;I don&rsquo;t mean to be rude, Madame Fortunoff&mdash;and I&rsquo;m very pleased to meet you&mdash;but, in truth, I am not much of a drinker,&rdquo; Montgomery said rather meekly.</font><br /><font color="#a1a1a1">&ldquo;Well, I urge you to make an exception on this occasion, Mr. Resor. This is an especially fine m&eacute;doc, and I have saved it just for your visit. Please,&rdquo; she continued, proferring the glass containing the shimmering deep burgundy-colored wine. Her voice he found most alluring, her manner quite persuasive.&nbsp; His reluctance melted away.</font><br /><font color="#a1a1a1">&ldquo;Thank you,&rdquo; he said, taking the goblet.</font><br /><font color="#a1a1a1">&ldquo;A toast, then,&rdquo; Mme. Fortunoff announced, lifting her glass. Somewhat haltingly, Montgomery did the same. &ldquo;For the love of fine books.&rdquo; He took a tentative sip. &ldquo;Come, come,&rdquo; said his hostess with mild reproval, &ldquo;you must do better, sir.&rdquo; At that, Montgomery followed with a healthy draft, and it made his head swim.</font><br /><font color="#a1a1a1">Madame Fortunoff took a chair opposite her guest.</font><br /><font color="#a1a1a1">&ldquo;Now, I know how curious you must be about your presence here this evening.&rdquo;</font><br /><font color="#a1a1a1">&ldquo;Indeed,&rdquo; replied Montgomery, &ldquo;most curious.&rdquo;</font><br /><font color="#a1a1a1">&ldquo;All your questions will be answered, I assure you. As I said&mdash;and as you can see around you&mdash;Mr. Fortunoff was a passionate collector. Frankly, his ardor was much greater than mine, and now that he&rsquo;s gone, I am intent on divestment. It became known to me that you were a discerning collector, so I sent along the invitation; the volume of Poe&rsquo;s stories I hoped would serve as an inducement.&rdquo; She paused. &ldquo;Pray, finish your wine. Another glass perhaps?&rdquo;</font><br /><font color="#a1a1a1">&ldquo;No, no, really, this one is quite enough.&rdquo; And not wishing to appear ungrateful, Montgomery drained what remained in his goblet.</font><br /><font color="#a1a1a1">&ldquo;Perhaps, if you&rsquo;ll permit me, Mr. Resor, a few more details about the collection.&rdquo;</font><br /><font color="#a1a1a1">&ldquo;Certainly, madam.&rdquo;</font><br /><font color="#a1a1a1">&ldquo;Mr. Fortunoff began amassing these volumes ten years ago, shortly after our marriage&hellip;&rdquo; As she continued, Montgomery strained to follow his hostess, but the power of the wine was acting upon him as a soporific. Time seemed to elongate and slow. Madame Fortunoff&rsquo;s words took on the character of speech emanating from the depths of a chasm. With supreme effort, he struggled to refocus. &ldquo;&hellip;but I must not waste another minute before I show you my late husband&rsquo;s most prized acquisition,&rdquo; Mme. Fortunoff said, rising from her chair.&nbsp; &ldquo;Please come with me. <em>This </em>volume I keep in very special place, a very <em>secure</em> place.&rdquo;</font><br /><font color="#a1a1a1">&ldquo;I-I&rsquo;m sorry,&rdquo; Montgomery stammered. &ldquo;I&rsquo;m embarrassed to say I&rsquo;m feeling a bit woozy. Perhaps I should stay here.&rdquo;</font><br /><font color="#a1a1a1">&ldquo;Think nothing of it,&rdquo; Mme. Fortunoff said airly. &ldquo;I&rsquo;llassist you. After all, you wouldn&rsquo;t want to miss examining what is purported to be one of the very few copies of the Gutenberg Bible extant. I have my doubts and would very much value your appraisal.&rdquo;</font><br /><font color="#a1a1a1">&ldquo;Well, &nbsp;I&hellip;&rdquo; Montgomery began as his hostess helped him to his feet and steadied him as they left the library and began descending a winding staircase off the main hallway. &ldquo;Two&hellip;left&hellip;feet,&rdquo; he mumbled as they moved haltingly down.</font><br /><font color="#a1a1a1">&ldquo;Here we are,&rdquo; Mme. Fortunoff said when they reached the bottom of the staircase. They were in what appeared to be a basement, not a large space, with brickwork all around. It had a dank, musty feel. The only illumination was provided by several beeswax candles that flickered in wall sconces. &ldquo;Let me help you to this small bench, Mr. Resor. You can take a moment to gather your senses.&rdquo;</font><br /><font color="#a1a1a1">But instead of shaking off the effects of the wine, Montgomery slipped into a kind of twilight, and there he remained for how long he did not know. When he began to return to greater lucidity, he became aware that both of his arms were raised and his wrists were shackled in rings to a chill brick wall behind him. And his consciousness registered something else&mdash;a sound very near.&nbsp;</font><br /><font color="#a1a1a1">&ldquo;Madame Fortunoff&hellip;&rdquo; he slurred.</font><br /><font color="#a1a1a1">&ldquo;Ahh, Mr. Resor, you&rsquo;ve come around. Good. Now I can complete the explanation of how you&rsquo;ve come to be here.&rdquo; With each passing minute, the fog in Montgomery&rsquo;s head was clearing, and as it did, he realized that not only was he chained but that a low wall had been built up around the space he occupied. And there was more to his dawning horror, for he beheld before him not the sublime elegance and beauty of the woman who had been acting as his hostess, but the grotesque figure of a rotting corpse, its grinning skull topped by a decaying conical cap festooned with tiny jingling bells.</font><br /><font color="#a1a1a1">&ldquo;W-Who are you? Where is Madame Fortunoff?? And what are you doing?&rdquo;</font><br /><font color="#a1a1a1">&ldquo;Why, Mr. Resor, <em>I </em>am Madame Fortunoff, and I am, shall we say, <em>cementing</em> a long-standing relationship. You see, your name, &lsquo;Montgomery Resor&rsquo;? That was the name your great-grandfather took when he came to this country, the better to mask his Italian heritage from the prejudices of the Boston brahmins. In turn, it was handed down through the generations to you.&nbsp; In truth, your family name is &lsquo;Montresor&rsquo;, with its origins in Venice. And that is where your family and mine intertwine. For, you see, my Christian name is Fortunato.&rdquo;</font><br /><font color="#a1a1a1">&ldquo;Montresor? Fortunato?&rdquo; Montgomery struggled to comprehend.</font><br /><font color="#a1a1a1">&ldquo;Yes! And the wine you drank? Why, of course, it was Amontillado!&rdquo; The hideous figure threw its head back and roared with laughter.</font><br /><font color="#a1a1a1">&ldquo;But,&rdquo; Montgomery protested weakly, &ldquo;that was only a story&hellip;a-a <em>fiction</em>.&rdquo;</font><br /><font color="#a1a1a1">&ldquo;Was it now? And <em>this </em>is merely a fiction?&rdquo; the creature snapped, troweling a fresh layer of cement and setting more bricks, bringing the height of the wall to the level of his captive&rsquo;s chin.</font><br /><font color="#a1a1a1">&ldquo;But <em>why</em>?&rdquo; Montgomery cried out, now completely lucid and gripped by panic, &ldquo;I&rsquo;ve done nothing to you!&rdquo;</font><br /><font color="#a1a1a1">&ldquo;Not directly, of course Mr. Res--<em>Signor</em> <em>Montresor. </em>But your ancestor in Venice, during the height of the carnival season&hellip;surely, you need not have me recount the particulars.&rdquo;</font><br /><font color="#a1a1a1">&ldquo;But I bear you no ill will!&rdquo; The grotesquerie paused, its decayed flesh reflecting dully in the low light. Its countenance, what remained of it, was a rictus of mockery.</font><br /><font color="#a1a1a1">&ldquo;Immaterial, I&rsquo;m afraid,&rdquo; the hellish thing said, drawing so close that its foul breath filled Montgomery&rsquo;s nostrils. &ldquo;You are the last of your line, and I find it only fitting that the same fate to which your ancestor condemned me be visited upon you.&rdquo;</font><br /><font color="#a1a1a1">&ldquo;You <em>can&rsquo;t,&rdquo; </em>Montgomery cried, straining against his bonds..</font><br /><font color="#a1a1a1">&ldquo;Ah, but I <em>will!&rdquo; </em>The creature declared, resuming its diabolical work.</font><br /><font color="#a1a1a1">Once the final brick was set in its place, the thing admired its handiwork for a moment, before tipping its skull backward and laughing maniacally. It echoed off the brick recesses of the basement and swiftly died away, leaving an abyss of silence broken only by the hiss of one of the guttering candles.</font><br /><font color="#a1a1a1">From behind the freshly cemented wall came the faint rattle of chains, &nbsp;a low moan and an anguished:</font><br /><em><font color="#a1a1a1">&ldquo;For the love of God, Fortunato!&rdquo;</font></em><br /><font color="#a1a1a1">&ldquo;Indeed,&rdquo; replied the abomination, &ldquo;for the love of God!&rdquo;<br /><br />&#8203; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</font><span style="color:rgb(161, 161, 161)">&#128128;&#128128;&#128128;<br /><br />&#8203;</span><br /><em><font color="#a1a1a1" size="3">Nick Young is a retired award-winning CBS News Correspondent.&nbsp;&nbsp;His writing has appeared in more than thirty publications including the Pennsylvania Literary Journal, The Garfield Lake Review, Backchannels Journal, the San Antonio Review, the Bosphorus Review of Books, The Best of Caf&eacute;Lit 11 and Vols. I and II of the Writer Shed Stories anthologies.&nbsp;&nbsp;He lives outside Chicago.</font></em></div>]]></content:encoded></item></channel></rss>